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Currently hanging out in a hospital waiting room while a friend gets a routine procedure and contemplating how I’m feeling about sf and f prodom and fandom as a whole. Been a couple of things bringing this on, one of which happened a couple of years ago. An author who I used to publish sent me a lengthy email rant and announced they didn’t want to work with me anymore. I was (still am) pissed about it, but provided a date for their rights to be reverted to them, told them to expect their quarterly royalties on schedule and followed up on that. I assumed that we were done but they decided to try and weaponize SFWA’s Griefcom against me and shenanigans ensued. What became very clear was that a. SFWA didn’t distinguish well between multinational corporations and smaller publishers and b. any publisher was the enemy. So there was bullying and threats and it was all a highly unpleasant experience that took some months to wrap. Interestingly enough, no one ever claimed that I was defrauding the author either in terms of rights or money, which would have been the most logical reason for SFWA to be involved at all. What I got from it was that SFWA did not represent my current interests (I will not be renewing this year) and that it was remarkably easy to weaponize its processes, something they were utterly unprepared for.

Fast forward to the now. There is a collective Bluesky meltdown going on about another small press, its financing, biz practices and such. I’m not immersed in the detail level enough to comment very directly, but the most recent precipitating incident appears to have been one of the publishers posting that cash flow wasn’t 
good and they might have trouble paying royalties this month. I will note that I do not at this time know of any of the press’s authors who are claiming that they haven’t been paid, which strikes me as an important thing here.

At any rate, there are a number of posts in response and a great many people associated with the large press corporate system have many opinions about how small presses *should* function, a considerable number of which revolve around “be a multi-billion dollar corporation!” Only smaller. So I posted a thread about what I’d been doing for the past 8.3 years, cash flow, expenses, juggling and so forth.  A number of other small press folks thanked me for my honesty and boosted it. A random literary agent popped up and with some virtual pearl-clutching, demanded to know if I had an entirely separate account for author royalties and if not, was I just paying authors on (horrified sniff!) “some sort of honor system.” This went over super well and I pointed that gosh, I did book keeping and provided royalty statements and everything and then suggested that since they were clearly looking for a fight, they should look elsewhere. And I blocked Agent Annie, as I will call her for my purposes here, and I went on with my life. The next day, a Tor author pops up on my feed and expresses her “great disappointment” in me based on our long professional association because Agent Annie is the Best of Us All, kindness and sweetness personified, never fights with anyone, etc., etc. Da fuck? First of all, I have never published this author, met them in person or been on a panel with
them, or so I thought. I eventually recalled being a panelist on a virtual panel at a virtual con some 3 years ago that might have included them, but that’s it. We don’t even follow each other on Bluesky.

Viewed in a more benign way, she might have me confused with someone else. Or she might be someone who confuses liking a TikTok video with having an actual social connection. But I think and said in response that I didn’t know her and that this was clearly just part of the ongoing pile-on and suggested that she and Agent Annie could go look for blood in the water elsewhere. My sweet summer children, I was active on LJ when Requires Hate was most active. I know how pile-ons work. I also know that there are minor players looking to curry favor with whomever who go looking for auxiliary targets because that happens every time. So let’s just say that they succeed in driving this other small press under and perhaps they dent us too because I’m a “meanie” who doesn’t recognize that the Great and Popular and their hangers-on are so much smarter and better at this than I am, what next? It is very difficult to get a small press launched and keep it going, particularly under current circumstance, especially if they emphasize diverse authors and books for various values of “diversity.” And a press that is paying their artists and writers and so forth consistently is to be appreciated. Who’s going to replace that? Note that the same people never complain about established presses that owe their authors thousands of dollars in unpaid royalties, stolen rights, etc. At least not until someone Important does it first.

I will tell you another thing for free: those big corporations you love so much and are so convinced are the one true way to get published are going to start culling their lists soon. They will swing with the prevailing climate in the U.S. and that date is not that far away. What will you do then? Having seen this before, I’ll tell you: some of you will stop writing. Some of you will go indie or go to smaller presses. Some of you will make your characters a lot whiter and straighter. So what you’re doing right now is going to make things harder for you when things change. And they will. That Big Time Author you’re courting right now has their own issues and concerns and they are unlikely to concern themselves with yours based entirely on taking their side in an internet kerfuffle. I recommend sitting with that for a while, preferably offline.

As for fandom, that’s a murkier issue, but lordy, I am seeing a whole lot of “we have always done things this way” like lockdown didn’t happen and like the entire landscape hasn’t shifted. Sometimes, it’s inviting the same guests over and over again. Sometimes, it’s ignoring market conditions and insisting on lots of hoops for vendors or higher costs. On a not unrelated note, if you’ve got the resources, not including a virtual component is a Bad Idea (Wild West Con’s venue just shut them down on Day 2 for unspecified “health reasons,” for example). And so on. I admit to being very tired of getting passed over for guest lists, being an afterthought for Dealers Rooms and so forth and am more and more inclined to take my business elsewhere unless a con makes it worth my while and I’m hearing this from a lot of other folks too. Going to see a lot of cons give up the ghost soon, I expect, as con coms age out, finances become more untenable, etc. Tackling the “same old, same old” now makes it more unlikely that your event will survive, just saying.

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Started the planning for next year's events: Worldcon in Helsinki is definite, barring some event preventing it. I'm thinking I'm due for Golden Crown Literary (lesbian fiction conference), seeing as it's in Chicago and I haven't been for a couple of years. I'd like to go to World Fantasy in San Antonio because Martha Wells is Toastmaster and is awesome. I I'm probably not going to do a ton of local cons this year, due to a combination of burnout and some not-great-to-bad experiences in the last year. But bar conning is an option.

If time and money are no obstacles (hah!), I'd love to fit in Sirens in Denver, and depending on dates, Outwrite (new LGBTQ writers conference) in D.C. The latter because I could also fit in a visit to the new African American History Museum! 

What events are you folks going to in 2017?

EDITED: I had originally included Madison area convention, Odyssey Con, on my list of possibilities for next year. I have just learned that the con com has decided to make serial sexual harasser Jim Frenkel their Guest Liason for 2017. There are also several other people on the con com who might best be termed "controversial" (like the dude who was very outspoken against POC Safer Space at WisCon within recent memory) so I would advise caution if you're thinking of attending.

On the bright side, WisCon is now back on the possible list.
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Mad juggling of time and resources, mostly.
The weekend before last was Marscon, which is one of my favorite smaller cons. This year was a tad rocky. They were in a new (to them) hotel that was under construction in section and woefully unprepared for the number of attendees, resulting in weird room snafus and parking problems. Their were additional issues at the hotel restaurant (dinner the first night did not go well - problems with the bill, massive waits, etc.) but they got better as the weekend went on (a lovely improvement from the Crowne Plaza, which tended to start out bad and get worse). I gather there were some additional problems with con security (this is second hand) and there were definite layout issues: rooms were not accessible, or even usable in all cases, etc. (first hand experience - Kruschenko's was a nightmare for panels). Add to that my lingering migraine and it was a rough run. I did get to be on several fun panels and our reading went well, plus I got some time with friends, so not a complete bust by any means. Here's hoping the issues get resolved for next year, though.


Writing: I'm trying to get multiple stories out the door for April deadlines before I head to New Orleans for Saints and Sinners so I'm typing my fingers to the bone, figuratively speaking. So far, this has yielded one new Emily story (subbed), one new Catherine story for a Jack the Ripper anthology (draft complete yesterday, need to revise), one more Emily story (currently in revisions, rewrite of story that has not found home yet) and a start on 3 more Catherine stories (only one of whih is due 4/1/15 so those have a bit more time to develop). Also, made tentative editorial arrangements for Emily erotic sf novel, so now I need to finish my current round of revisions on that. Talked to an editor about the werewolf book and got a "can't right now." I'm looking to get a final polish edit on Silver Moon before I look at reissuing it and hope to use the same editor for Blood Moon when it finally gets done.

Day job: nice financial news, crappy colleague stuff, future uncertain, ask again later.

Mom update: no current crisis, just gradual deterioration. She liked the Hapsburg Show at the MIA this weekend, so huzzah for that. Me - still wrangling financial stuff.

Proposed giant new project: okay, so I'm looking at starting my own press, as some of you already know. It will be called Queen of Swords Press and I will focus, at least for starters, on science fiction and fantasy with historical elements - steampunk, alternate history, etc., and on fantasy with diverse protagonists and authors (TBD). After that, we'll see. Some things have happened that may potentially accelerate the process. Currently, setting up meetings and following up on last week's meetings, working on business plan, etc.  More news soon, I hope.

Next up: updates to the Older Women in SFF list.






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which will be occurring October 23-25, 2015 in St. Paul, here. Arcana bills itself as "A Convention of the Dark Fantastic" and I'll be joining such previous luminaries as Robert Bloch, Melanie and Steve Tem, Neil Gaiman, Tim Powers and Pam Keesey. And they'll give out the Minnesota Fantasy Award to someone or other (it doesn't get announced much ahead of time so I don't know who's up for ti this year); last time I attended the Awards, it went to Lois McMaster Bujold, which was very cool. So, pretty impressive company for my second ever con-headlining experience. :-)

Why me? Well, I asked myself that a bit, too. Being local is not entirely off the table but they've certainly had plenty of headliners from elsewhere. In any case, I have edited or co-edited two award-winning anthologies: Haunted Hearths and Sapphic Shades: Lesbian Ghost Stories and (with JoSelle Vanderhooft) Hellebore and Rue: Tales of Queer Women and Magic. I've also had 1 novel and 3 collections of short fiction published, much of it award-winning and/or included in sundry Year's Best anthos. My work has spanned fantasy, science fiction, horror, romance, erotica, nonfiction, historical fiction and mystery, for a rough total of a half million published words. Between them, my books have won 5 awards and finaled for 5 others, to date. And I've been an awards judge and taught classes at the Loft Literary Center and sundry other places. So not a bad run, thus far, if not quite at the lofty heights of some of the previous guests, but I presumably still have time to catch up.

What's the con all about? Horror and dark fantasy, as a rule. It's a small chatty con so I'd love to see more folks come and check it out and broaden the conversations a bit. What do I plan to talk about? Werewolves and vampires and ghosts and the queer component in each of those subgenres and women in horror and dark fantasy. Penny Dreadful and penny dreadfuls. Sleepy Hollow. Diversity in dark fantasy and horror. Stuff that matters to me, and hopefully, to you. I'm pretty damned entertaining too, when sufficiently caffeinated (think sober geeky Dorothy Parker). And that's why you, yes, you! should join me for this shindig! Come for the dark, stay for the snark - which could well be the t-shirt for this year. :-)

Hope some of you can make it!

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Looks like it will be awesome fun times. Seriously, if you're looking for a pleasant and jolly medium-sized Twin Cities con, Marscon is one to check out. This year, they're hosting presentations from the U. of MN Bee Squad and the Bell Museum of Natural History as well as fannish things, a music track, local writers and sundry media-related events.

Here's what I'm doing:

The Dark Side of the Fey

Room 419 (Krushenko’s) — Saturday 11:00 am

Traditionally capricious and dangerous, the fey are now often portrayed very differently. Why have we moved toward a purely cuddly and kindly fey? What authors are bucking the trend to draw on the more traditional characteristics and who does it well? Why does this work? What purpose do tales of the dark fey serve? Why should we “stay on the path”?
With: S.N. Arly, mod.; William Alexander, Haddayr Copley-Woods, Catherine Lundoff, Kathryn Sullivan

 

The Rise of Women Superheroes

Room 419 (Krushenko’s) — Saturday 01:00 pm

Let’s talk about some awesome female superheroes who have become breakout sensations in recent years! Why do we love them so much, and how can we get more?
With: Lyda Morehouse, Christopher Jones, mod.; Cynthia Booth, Catherine Lundoff, Chandra Reyer

 

Broad Universe Rapid Fire Readings

III Eagle’s Nest (Re(a)d Mars) — Saturday 02:00 pm

An annual MarsCon event. Members of Broad Universe do short readings from their recent work.
With: Catherine Lundoff, mod.; Kathryn Sullivan

 

Bandana Square Cons Party

Room 419 (Krushenko’s) — Saturday 08:30 pm

Co-hosted by Con-Sarnit Eight, Friday and Saturday, June 5 and 6; Diversicon 22, July 24-26, with Guest of Honor Ytasha L. Womack and Special Guest Rob Callahan; and Arcana, October 23-25, with Guest Editor Catherine Lundoff.

 

Not Fae Away…?

Room 419 (Krushenko’s) — Sunday 11:00 am

The evolution of the popular concept of fairies. What caused the fairy migration (in literature) from rural to urban settings? How did the move affect them? Did they become nastier or nicer? Works examined will include Lisa Goldstein’s Strange Devices of the Sun and Moon, Emma Bull’s War for the Oaks, and the “Borderlines” anthologies.
With: Rick Gellman, mod.; William Alexander, Catherine Lundoff, Kathryn Sullivan

Sleepy Hollow (TV)

III Eagle’s Nest (Re(a)d Mars) — Sunday 12:00 pm

We’re a couple of seasons into the adventures of Abbie and Ichabod and their valiant crew. The show has a diverse cast and a diverse fan base with deeply held opinions on what works and what doesn’t. Let’s get together and discuss.
With: Catherine Lundoff, mod.; Haddayr Copley-Woods, Joellyn Ackerman

 
The careful reader will note that I'm called out as the Editor GOH for Arcana this year, which is a thing that JUST happened. More soon! :-)



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I'll be at Arisia in January (http://2014.arisia.org) doing the Broad Universe RFR on Saturday, January 18th at 1PM with a bunch of talented women and moderating the Unheard Voices of SF/F panel with Nisi Shawl, Andrea Hairston, Trisha Woolridge, Victor Raymond and Julia Rios at 8PM. Otherwise, it's all hanging out and enjoying some time in Boston. :-)

I also got an invite to be a guest at Marscon 2014 - (http://marscon.org/2014/index.php). Huzzah!
Now to get done more writing done and pull together some panel proposals for WisCon.
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Because Nature abhors a vacuum and all that. But mostly because John Scalzi will be there and I figure that if he's being kind enough to host my book for a Big Idea, the least I can do is stop by when he's in town and say "thanks." I've also been assured that it'll be more fun than the first time I went, though in fairness to the con, I was also quite sick that weekend so that certainly played a big part in how I remember it. At any rate, 4th St. Fantasy, featuring an all-star cast (seriously, check out the Attending list) - http://www.4thstreetfantasy.com/2012/programming/

Apart from that, lovely belated Mayday Parade yesterday - many kudos to Heart of the Beast Puppet Theater for pulling it together not once, but twice, due to weather conditions. I'm packing for the big trip (Chicago, Milwaukee and Madison - yes, there will be people at our house so burglars need not take note), and scrambling to get both my Big Idea and a new interview out the door. Lively days ahead!

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